Ostriches are fond of eating shiny metal objects. Or so the thinking used to go. Insignias on coats of arms reinforced this difficult-to-digest idea, as did medieval bestiaries. Even William Shakespeare refers to the notion in a dramatic duel scene:
… I’ll make thee eat iron like an ostrich and
swallow my sword like a great pin…
This curious threat comes from one of the bard’s staged histories, The Second Part of King Henry VI (Act 4, Scene 10, Lines 28-29).
Though not native to England, these big birds were brought there long before Shakespeare’s time. In fact, several royal precursors to Henry VI owned ostriches, including Normandy’s William the Conqueror and King John. The latter kept them among his stable of exotic creatures. Interestingly, archaeological digs of London’s old Lion Tower have uncovered nails near the neck bones of these birds’ remains, suggesting that people once fed ostriches sharp metal pieces (1). Wow, talk about heartburn!
Notions of iron-eating ostriches captivated the European imagination, as evident from iconography depicting ostriches with nails, keys, and horseshoes in their beaks. Typically representing an individual of great authority or religious zeal (2), the images made up part of a vast collection of symbols used in heraldry.
Emblems for Nations, Statesmen, and Rock Stars
Heraldry is an elaborate system of symbols used to represent the identities of individuals, families, cities, and nations. Though primarily associated today with European nobility, the practice spans the world and goes back thousands of years. Several ancient nations of the Middle East adopted representational images of the eagle (3), a bird that has remained popular as a heraldic symbol. Similar displays of national coats of arms are designed in the spirit of this tradition. Many feature feathered animals: Chile’s includes the condor; Uganda’s, the crested crane; and Nauru’s, the frigatebird (4)
Individuals have frequently relied on avian symbols for expressing personal characteristics, such as rank, origin, and occupation. Adorning Sir Paul McCartney’s coat of arms are a guitar and a “liver bird,” the latter a heraldic emblem of the former Beatle’s hometown, Liverpool (5). By the way, the “liver bird” is based on the cormorant, just as the mythical martlet, a small bird depicted without feet, is modeled on the swallow or house martin (6). Commonly used by the younger sons of a large family, the martlet appears in several places on Ben Franklin’s arms (7). Franklin, after all, was one of seventeen children!
The Fun Side of Heraldry
Sometimes considered esoteric and stale, heraldry I’ve discovered can be rather fascinating—even amusing. For example, take the coat of arms of Benjamin Franklin’s contemporary, American statesman John Hancock. This man obviously had a sense of humor. Making light of his name, he chose an open hand and three roosters or cocks as his symbols (8).
William Shakespeare’s coat of arms suggests that he, too, had fun using images to play on his surname. The “spear” element is obvious: prominently displayed are a couple of large, pen-like items of the weapon (9). The “shake” part of the design, however, relies on an unfamiliar reference. Gripping one of the spears is a falcon readying for flight. This action didn’t initially mean anything to me, but I soon learned that the motion is referred to in falconry as “the shaking” (10). As a result, I came away once again impressed with the wit of England’s greatest punster and wordsmith.
Though not as popular as during Shakespeare’s time, the ancient art form of heraldry is still alive and well today. Aficionados are continuing to find creative ways to enjoy their pastime. A few websites devote space to looking at the heraldry employed in Game of Thrones, studying Disney’s fictional McDuck family’s coat of arms, and generating heraldic representations of National Football League team logos. What I enjoy most, of course, is that birds can be seen on all of them!
- Heck, C, Cordonnier, R. The Grand Medieval Bestiary: Animals in Illuminated Manuscripts. New York: Abbeville Press Publishers, 2012. pp. 550–552.
- Ingersoll, E. Birds in Legend, Fable and Folklore. New York: Longman, Green and Co., 1923. p. 56.
- Ingersoll, E. p. 28.
- J. The Complete Guide to National Symbols and Emblems. Volume 1. Santa Barbara, CA: Greenwood Press, 2010. pp. 120, 229, 928.
- Wilson, AN. “As the Bercows unveil their boastful coat of arms, the vulgar truth about family crests”, 11/30/2011. Daily Mail: http://www.dailymail.co.uk/news/article-2068401/Speaker-John-Bercow-coat-arms-The-vulgar-truth-family-crests.html.
- Vinycomb, J. Fictitious & Symbolic Creatures in Art with Special Reference to their Use in British Heraldry. London: Chapman and Hall, Limited, 1906. pp. 186, 187, 189.
- “Famous Coats of Arms”. International Heraldry: http://www.internationalheraldry.com/famous.htm.
- “Famous Coats of Arms”. International Heraldry.
- Dingfelder, S. “A draft of Shakespeare’s coat of arms is on display for Folger Shakespeare Library’s ‘Symbols of Honor’”, 7/10/2014. The Washington Post: https://www.washingtonpost.com/express/wp/2014/07/10/a-draft-of-shakespeares-coat-of-arms-is-on-display-at-folger-shakespeare-librarys-symbols-of-honor/.
- Duncan-Jones, K. Shakespeare: Upstart Crow to Sweet Swan: 1592-1623. London: A & C Black, 2011. p. 107.